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Sarah Longlands

Avenues of Sight
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A gallery of the varied works of Sarah Longlands,
a true painter of light and of shadow. Ostensibly realistic, but going beyond this to explore the metaphysics of reality, time and space.
Click on the left to see the works.
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Some of the original work shown in these pages is still available for sale. My work is marked "Private Collection" if sold, but original work varies from about $1,200/£600 to $7,500/£3,750. Giclée images vary from $180/£90 to $563/£282.
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Any work may be purchased on approval, and a refund given if not suitable.  
Original work of all four artists may be viewed at my studio by appointment. For information about Alan and Pragati (see links page) please write to me, (see giclée prints page for contact details) but for Karen you can write to me to obtain her email address.
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All the works shown are the copyright of the artist, but may be copied for personal use if due acknowledgment is made of their origin.
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Avenues of Sight © Sarah Longlands

 

 

 


 


Giclée Images

Prints of the highest quality on Hahnemühle and Crane's Museo papers are available now by online purchase. Click on the violins here for more details about the various sizes and prices and where they can be purchased.
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Poppies by Karen Armitstead

 

Click on this picture to see the work of Karen Armitstead, Alan Singleton, Michèle and Ella Findlay, Pragati Mishra and many other artists and cultural links.

(Karen, Alan, Pragati and the Findlay's page are all internal links, so press their back button.)
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Sarah's work may be found for sale on:
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Madrid, London& Boca RatoN
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Until late 2005 not many new paintings had been added to my pages on the site since I had been allowed to add the Queen Mary 2 paintings at the beginning of 2004. I had finished these paintings in June 2003, but this was heavy going: it took me over a week just to sign them, constantly wiping off and redoing the characters. My husband had to help me to varnish them. I could no longer use my right hand.
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It was obvious that my long term multiple sclerosis was taking a different track and at the end of August that year I was diagnosed with very aggressive secondary progressive multiple sclerosis. That should have been the end of my painting career, but click on the tower to find out what happened next, with the help of some wonderful people: my husband and the people working at Vanderbilt Clinic, part of the University. This may also help other people in a similar position, though hopefully not as bad as mine.

Sarah Longlands, May 2006

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